At Victoria and Albert Museum in London, Schiaparelli: Fashion Becomes Art offers more than a retrospective of one of fashion’s most unconventional houses. It presents a broader question that feels particularly relevant in 2026: where does fashion end, and where…
Craft, technique, mastery, these are words that that usually point to heritage, to preservation, to something already known. But at Palais Galliera, the exhibition Tisser, broder, sublimer : les savoir-faire de la mode gently shifts that expectation. The focus isn’t…
Reading the past There is something deceptively familiar about the 18th century. Corsets, wide skirts, ornament, excess, these forms feel instantly recognisable, almost reduced to visual codes. They circulate through fashion imagery, cinema, and contemporary collections, often detached from their…
In Switzerland, excess usually makes people uncomfortable.It feels unstable. Too loud. Too visible. Kevin Germanier doesn’t try to soften that tension but use it and works inside it. In the 300m2 exhibition space in Lausanne, colour occupies the room rather…
