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Quiet Displacement of Tailoring – Soshiotsuki Paris SS27
Tailoring is often associated with certainty. It imposes structure, defines proportion, and gives the body a clear architectural logic. In SOSHIOTSUKI’s Spring/Summer 2027 collection, that certainty gradually began to shift. Under the direction of Soshi Otsuki, familiar menswear codes remained visible. Long coats, sharp shirting, structured jackets, wide trousers but none of them felt entirely…
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The Aesthetics of Chaos: KIDILL Paris SS27
At Paris Fashion Week Men’s, much of menswear moved within familiar territory. Soft tailoring, controlled silhouettes, muted palettes, and quiet luxury continued to dominate the season’s visual language. Even when collections experimented, they often did so within carefully calibrated boundaries while KIDILL offered the opposite. Its Spring/Summer 2027 collection, presented under the title “CHAOTIC,” rejected…
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Pharrell’s Expanding Vision at Louis Vuitton
At Paris Fashion Week Men’s, few shows attracted as much attention as Louis Vuitton. Under the creative direction of Pharrell Williams, the house has embraced a scale of presentation that extends far beyond the traditional runway. Each season, Louis Vuitton’s menswear show functions not merely as a collection reveal, but as a global cultural event—one…
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Milan Fall/Winter 2026 — Jil Sander
The Quiet Evolution of Minimalism Minimalism has always been the language of Jil Sander. A language built on clarity, on control, on the refusal of excess. But like any language, it shifts over time. It absorbs new tensions, new sensitivities. It learns to soften certain edges while sharpening others. This season in Milan, that evolution…
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Milan Fall/Winter 2026 – Fendi
Control as Strategy Yesterday at Milan Fashion Week, a shift became visible. Not a rupture or a reinvention, nothing that announced itself with urgency. Under the creative direction of Maria Grazia Chiuri, Fendi presented its Fall/Winter 2026 collection. Not by attempting to reset the conversation but by making it feel like an internal adjustment. A…
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Kevin Germanier, Les Monstrueuses
In Switzerland, excess usually makes people uncomfortable.It feels unstable. Too loud. Too visible. Kevin Germanier doesn’t try to soften that tension but use it and works inside it. In the 300m2 exhibition space in Lausanne, colour occupies the room rather than decorate it. Dresses stand upright on their own, dense with beads, sequins, fragments of…